I am looking to upgrade my current 5.1 setup to a 5.1.4. I need some help in finalizing the in ceiling atmos speakers for my setup. Below are some details regarding my setup:
Room Size: 12' W x 24.5' L
AVR: Denon AVC-X3700H (to be purchased)
Front LR: Q Acoustics 3050i [Already have these]
Center: Q Acoustics 2000Ci [Already have this]
Surrounds: Q Acoustics 3010i [Already have this]
Distance from seating row (there will be only 1 row) to front & rear atmos channels considering a 55 degree angle (lesser angles are not feasible due to distance): 4.25'
I have shortlisted 3 models for the in-ceiling speakers. My budget is maximum 20k per pair, but would like to save some money if possible.
1. Wharfedale WCM-65 [~21k/pair]
2. Polk Audio RC60i [~17k/pair]
3. JBL Arena 6IC [~12k/pair]
Question 1: How much of a difference does the adjustable tweeter (so that they can be aimed towards the listener) make?
Question 2: Which of the above 3 will be a better match overall for my QAs? What is the most popular recommendation?
Question 3: How important is it to timbre match the height channels? Is it easily observable or requires critical listening to spot the difference?
Room Size: 12' W x 24.5' L
AVR: Denon AVC-X3700H (to be purchased)
Front LR: Q Acoustics 3050i [Already have these]
Center: Q Acoustics 2000Ci [Already have this]
Surrounds: Q Acoustics 3010i [Already have this]
Distance from seating row (there will be only 1 row) to front & rear atmos channels considering a 55 degree angle (lesser angles are not feasible due to distance): 4.25'
I have shortlisted 3 models for the in-ceiling speakers. My budget is maximum 20k per pair, but would like to save some money if possible.
1. Wharfedale WCM-65 [~21k/pair]
2. Polk Audio RC60i [~17k/pair]
3. JBL Arena 6IC [~12k/pair]
Question 1: How much of a difference does the adjustable tweeter (so that they can be aimed towards the listener) make?
Question 2: Which of the above 3 will be a better match overall for my QAs? What is the most popular recommendation?
Question 3: How important is it to timbre match the height channels? Is it easily observable or requires critical listening to spot the difference?