What I like in particular about the Pakistani music scene, be it Pop, Rock, Sufi, Ghazals or Classical, is how it has remained truer to the roots and not strayed much on account of popularity and media demands. So, for example, Pakistani ghazal singers continued to maintain the classical base while the Ghazal scene in India moved towards more popular rendition styles. One hardly finds true blue Sufi singers in India, almost everyone is into Sufi-rock. Even Pakistani folk music and singers like Alam Lohar, Arif Lohar Allen Fakir and Ataullah Khan have had a lot of urban following for their earthy music. We all know that when it comes to sub-continent Pop and Rock, Pakistani stars/bands pioneered and reached greater heights. They just got the genres’ pulse and stayed with it. Classical music has not grown/evolved as much in Pakistan as in India, but some lineages of gharanas such as Qwaal Baccha, Patiala, Pooch, Sham Chaurasi have survived beyond the border and produced world that one can get lost listening to in an evening.
In short, a lot of Pakistani music still has the ‘mitti ki boo’ (smell of the soil) and that to me is its distinctive character. And then the poetic language Urdu and its lyrical magic has enriched and ornamented it further. Also, while the Indian music scene was and remains dominated by film music, the Pakistani music scene has had a more even balance across genres/ forms.