Just now.. had a chance to play and hear my first SACD and the experience was sublime.
...
a. I enjoyed at 12 o clock volume position. In normal CD's i cannot go about 10 o clock as it gets too loud. I do not know why i had to increase the volume to this level. But funnily.. the sound was not loud at all.
In my experience too the volume of Water Lily Records recordings are very low. I crank up the volume by 10 odd dBs more than other recordings when playing Tabula Rasa. Ditto for A Meeting By The River (Ry Cooder and VM Bhatt) on the same label.
c. Sometimes i had to look up to see if my surround speakers were in action.. i swear.. i could feel the sound coming from above / behind me.. not full passages.. but bits of it.
d. The instrument separation was very precise.. and i think the CD inlay cover also says this.. this particular CD was recorded in 1 sitting for most songs.. no mixing, no re-recording, no brushups.. nothing..
d. I do not believe a Floorstander would have done a better job. Re-affirms my faith in quality bookshelves for 2 ch stereo..
Am getting more SACD's by next week and will listen to these too. As of now - this 1 SACD is fabulous. I must thank jls i think for pointing this out to me. I never heard it.. just bought it.
mpw
"Software" matters a hell lot to get the best from a music setup. Hence the existence of so called "audiophile" recordings from various labels. That some of these records don't sound too much like music (by some reckonings) is another matter, though.
I would say you have not been milking the real capability of your player

@Staxx: he's referring to Tabula Rasa by VM Bhatt, Jie Bing Chen, Bela Fleck and others.
PS: @mpw: I really enjoyed reading the liner notes of Tabula Rasa. Kavi Alexander elevates sleeve note writing to high art.
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