hi thevortex,
not sure about the implementation in the technics loudspeaker, but sure that it cannot be as good as the one in the epos.
in the design of loudspeakers, cross-overs are considered a necessary evil, and certainly the one most important attribute of a well-designed loudspeaker. Allowing complications (in the form of user-adjustable attenuation, however sophisticated that might be) in the cross-over may not be such a good thing, and may have been implemented to satisfy a larger section of the buying public than otherwise possible ( eg., a person might want solid punch (bass) at low volume with rolled off highs, and the epos will do it for that person, but then, the loudspeaker is changing the fabric of the music, and the way the composer wanted the listener to experience his/her creation is lost).
that said, this epos loudspeaker could capture the minds of the public and become a runaway best-seller!