4 Speakers

The Imagine group is based out of UAE. I wonder how they expect the Indian customers to audition equipment.
 
Ajay , from what i do know the monitor 30/40 Vs the SHL etc series are voiced very very differently..
the Monitor range falls very much into the revealing and ATC kind of sound while the others are a lot more pleasing sounding.
 
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I have added one more speaker company to my wishlist :)

http://www.harbeth.co.uk/uk/uploadfolder/hifi-for-grownups-m30.pdf

StereoTimes --

Having Fun With The Harbeth Monitor 30 Loudspeakers by Bob Neill

I believe some forum members are using Harbeth speakers. sidvee, panditjee, unleash_me. I would appreciate any information they can provide regarding performance, pricing and availability. I am particularly interested in M30,M40,SHL5 and 7es.

Ajay - you can see my impressions about the 5 & 7 here.
http://www.hifivision.com/speakers/7567-harbeth-shl5.html?highlight=harbeth

Cheers,
Sid
 
Whether one is buying a single hifi component or building an entire system the general consensus seems to be that multiple auditions, extensive internet research and advise from old hands is essential for making the right choice. But the ideal option may not be available to many prospective buyers in India. There are only a limited number of dealers in the metros, and even they carry a limited number of brands. Therefore we do not have the luxury of doing multiple auditions of our favoured brands. For someone living far away from the metros every dealer visited would result in an outflow of funds on travelling, boarding, lodging. Which may not be viable for someone with a limited budget. I don't think it would make sense to blow more than 10% of your hifi budget on auditions. Imagine finding a dream set up after extensive auditions, and not being able to buy it, because the auditions have taken a huge bite out of the budget!

Collecting information from the internet is inexpensive and easy but it has its own pitfalls. There is plenty of honest and unbiased information available on the net. But one will also come across motivated, misleading or unintenionally erronous information. Sifting through a huge load of subjective opinions in order to discover a few nuggets of useful information may be beyond the capabilities of many people.

Finally every buyer has to find his own way through the muddle. It is quite likely that a few blunders will be made. I know that I made a few mistakes last year and paidly dearly for them. But finally I managed to evolve a hifi buying strategy which worked for me. A strategy sans auditions. A strategy based on extensive internet trawling and then letting all the information gradually sink it. Most of the time I am a rationalist but quite often my decision making is based on mystical gut feelings! My current speakers, amps, cables and cdp have all been acquired by adopting this strategy! And it has worked for me. I feel that I have spent at least a 100K more than I should have but then we all make mistakes!

The only hifi aspiration I have is that at some point of time I would like to change my speakers. Not because I am not satisfied with the Vienna Acoustic's but because I would like to experience a new sound. Mentally I keep selecting and rejecting speakers and the one that are currently giving me 'mystical' nudges are the Dynaudio Contour 3.4's. The 5.4's would be outside my budget, but given the happy coincidence of finding lightly used, reasonably priced 3.4's and also finding a buyer for my present speakers, I would not mind giving the Dyn's another try :)
 
?.... But finally I managed to evolve a hifi buying strategy which worked for me. A strategy sans auditions. A strategy based on extensive internet trawling and then letting all the information gradually sink it. Most of the time I am a rationalist but quite often my decision making is based on mystical gut feelings! My current speakers, amps, cables and cdp have all been acquired by adopting this strategy! And it has worked for me. I feel that I have spent at least a 100K more than I should have but then we all make mistakes!

The only hifi aspiration I have is that at some point of time I would like to change my speakers. Not because I am not satisfied with the Vienna Acoustic's but because I would like to experience a new sound. Mentally I keep selecting and rejecting speakers and the one that are currently giving me 'mystical' nudges are the Dynaudio Contour 3.4's. The 5.4's would be outside my budget, but given the happy coincidence of finding lightly used, reasonably priced 3.4's and also finding a buyer for my present speakers, I would not mind giving the Dyn's another try :)

I have always found reading your longer posts really enjoyable, not just due the philosophical flavor and aroma but also some "kindered spirit" feeling about the approach.

Most of my buys have been over a 6 months to 1 year time frame preceded by internet trawlings, emails to owners, discussion with the designer or distributor. My personal experience with asking views on forums has more often than not actually only confused me ;) as I very rarely learn more about the product I asked about but learn quite a bit on other products I could consider..which has been good.

Regarding dynes, 2 people in this forum who have had good experience are dr bass and Bhagwan. From what I have heard, these speakers get high end only with the contours so you may be on something

I don't know why but I somehow would greatly value your impression of a ATC and a Sonus Faber... 2 very different speakers in some ways but something you may like .



Sent from my iPad using Tapatalk
 
@ajay124 - my feelings on the subject - buying loudspeakers without an audition (in the dealers room at-least) is that it is akin to playing Russian Roulette. I understand that in our "Great Nation" the simple pleasure of auditioning before buying is denied to us (becoz of scarce Dealers, Customs,ISI, RAW whoever:lol: - been there, done that), but especially where loudspeakers are concerned (especially if your looking to spend a few lacs) IMO a few thousand spent up-front will ensure absence of buyer's remorse and years of pleasure. That being said, Dyn's are great speakers, so good luck in your quest.
Cheers,
Sid
 
@ajay124 - my feelings on the subject - buying loudspeakers without an audition (in the dealers room at-least) is that it is akin to playing Russian Roulette. I understand that in our "Great Nation" the simple pleasure of auditioning before buying is denied to us (becoz of scarce Dealers, Customs,ISI, RAW whoever:lol: - been there, done that), but especially where loudspeakers are concerned (especially if your looking to spend a few lacs) IMO a few thousand spent up-front will ensure absence of buyer's remorse and years of pleasure. That being said, Dyn's are great speakers, so good luck in your quest.
Cheers,
Sid

Agree 100% with that. Buying speakers without audition is not something I'd ever do, even though I have purchased quite a lot of other stuff without audition (in the recent past too). Even if the source and amps are different from at home, auditioning a speaker is still well worth.

Contour 3.4 is good, but I am not sure if it's VFM at its price point. It's quite expensive for what it does. Never heard a Bryston with a Dyn, but theoretically I'd personally not like this combination (although I do not want to get into that discussion, I am sure many like that combo). How about ATC or a comparable PMC if one wants faithful and transparent sound? PMCs are usually a lot easier to drive. Bryston and PMC are well known combos.

Regards.
 
arj

ATC and SF speakers feature prominently on my wishlist. For the sake of simplicity and in order to retain some kind of focus I keep the list pared down to 4 brands. Currently: Dynaudio, ATC, Thiel and Harbeth. SF is hovering on the horizon and may re-enter planet wishlist if I read some nice things about them!

Lets deconstruct and demystify ATC speakers to begin with. Participation open to all forum members :)

I believe that to a great extent opinions about ATC on the forum would be based on the knowledgeable posts of Dr. Bass. He has owned the SCM40's and auditioned many of their other models. The current owner of the speakers (if I am not mistaken) is cmsajith. I hope that both of them will post their impressions about these speakers.

For a long time I have not been able to make sense of the various ATC models and options available. Recently I spent sometime unraveling the mystery and discovered that essentially there are 4 series of speakers built by ATC.

Entry series (price range 1000-4000$):

SCM7,SCM11,SCM19,SCM40

The entry series was launched in 2006 to make ATC speakers available to the underprivileged populace of the world. By underprivileged I mean folks who are not rock stars or ($) millionaires :) Going by user sentiment on the internet these speakers are well worth their price. But since this is billed as the budget series some compromises would have been made as compared to the higher series. Compromises related to the build quality of the cabinets, drivers and crossovers. SCM40 is the biggest speaker in these series and weighs in at 23.5 kg. Having auditioned a few towers in my 400sq feet room, I am no longer comfortable with a passive speaker weighing less than 30kg each. I do not feel that in a room of this size a sub 30 kg tower would have the heft and solidity to sound really grounded and authoritative. Secondly the mid range driver is different from the one used in their higher series. ATC made its name with the SM75-150 3" mid range soft dome driver. The Tower/Monitor series use the driver SM75-150S which is the real McCoy, while the entry series uses the comparatively inferior SM75-150. This is just something I have read. Please correct me if I am mistaken.

Monitor Series (price range 4000-20000$)

SCM20 Monitor
SCM50 Monitor
SCM100 Monitor
SCM150 Monitor

Tower Series (price range 6000-33000$)

SCM20 Floorstanding
SCM50 Floorstanding
SCM100 Floorstanding
SCM150 Floorstanding
SCM300 Floorstanding

Anniversary Series (price range 21000-38000$)

SCM50 Anniversary Series
SCM100 Anniversary Series
SCM150 Anniversary Series

EL150 (48,000$)

Price range is approximate and for the passive series of ATC speakers. Most of these, or perhaps all the speakers, are available as active speakers which are substantially more expensive. The general consensus seems to veer towards the active speakers. Buying active ATC's would be a difficult decision to make for me as it would mean saying goodbye to both amplifiers and passive speakers. I would have to part not only with the VA's but also with the Bryston pre/power amps.

To be continued :)
 
Dr bass and even Rajiv may have some experience with SCM's. But one point I hear is that They all have the same House sound and the differentiation as you go up is primarily in terms of Room size and hence amplification. ( Of course with the usual other benefits of larger Drivers and Larger Cabinet)

Many brands do have better components and design as you go up the chain..but these are all almost "equal" in that aspect.
 
arj

I have also come across opinions that essentially the house sound of the ATC's speakers remains the same. The dynamics and frequency range gets better with the bigger and better models. But if I had to upgrade I would only consider the cheaper options from the monitor and tower series. I do not feel that a shift to the entry series would be an upgrade over my present speakers.
 
How about ATC or a comparable PMC if one wants faithful and transparent sound? PMCs are usually a lot easier to drive. Bryston and PMC are well known combos.

Hi Asit, recently I got to audition a few models of PMC in their showroom, I heard speakers upto USD 15k with my own CDs. It was a very disappointing experience. I have not heard their studio line up, but their domestic series has a highly coloured tone and presentation. I made sure what I am hearing is right by using a variety of music with a variety of their speakers. Yes, they are not neutral at all. If I am allowed to guess, you are not going to like it either:p.
 
Hi Asit, recently I got to audition a few models of PMC in their showroom, I heard speakers upto USD 15k with my own CDs. It was a very disappointing experience. I have not heard their studio line up, but their domestic series has a highly coloured tone and presentation. I made sure what I am hearing is right by using a variety of music with a variety of their speakers. Yes, they are not neutral at all. If I am allowed to guess, you are not going to like it either:p.

Yes, you are right. If they are not crystal clear and reasonably neutral, I'd not like them. As I have mentioned somewhere else in this forum, I heard PMC studio monitors quite some time ago and liked them. I have no direct experience with their current domestic line-up. But in the last Delhi meet, a PMC bookshelf (probably tb2i or something like that) was tried with Amit's Leben CS 300XS and was liked by everybody there. Even in the recent Bombay meet another lower priced PMC bookshelf was played and liked by people there. Hence my suggestion. Anyway, it was more a question than a suggestion. But thanks for sharing your impression. In a way, it helps me too. As you know, I have 22 year old speakers. They are simply wonderful and I love them (despite the presence of the Leben, I think they are the biggest strength of my system). If and when these speakers become too old and really break down before I do, I need a new pair of speakers and since I know I will not be able to afford comparable speakers, I try to make a list of speakers I may like as replacements. But after what you have written a PMC may not figure in that list very prominently any more.

Regards.
 
One of the problems of audio blogs is, the same set of adjectives are used to describe the sound of an entry level Marantz, an Arcam and an entry level Pass labs. What is not explicit most of the time is, someone talking about Marantz is coming from his old mini-compo while someone talking about Arcam is coming from a Marantz and the Pass Labs guy is most probably coming from a Krell! A reader who does not have experience with some of these products may end up thinking that a high end Arcam is better than an entry level pass labs !! This is just one example. What inference one will draw in such a situation can be a crazy list. No one can be blamed for this, but it is definitely a problem.

Ajay, I have already written a lot of things about ATC on this forum. I am wondering what else to write to help you further demystify ATCs. The thing I would like you to assimilate is, ATC is not like most other speakers...period. I am now going to write some extreme things, so even after all the unavoidable losses of this blogging medium you do get some essence of ATC. Here you go!

First thing, they have a very very strong philosophy and they try their best to implement it in every speaker they make, even their sub-woofer!! Obviously every speaker is built to a certain price point so they would have some compromises somewhere in the materials used but not in the DESIGN! Very important point. They design all their products to sound like no-compromise, even the SCM7. It is a fact that a 5" driver in a small bookshelf cannot produce 30hz bass, that is a physical limitation, not by design. In the midrange, the SCM7 sounds just like a SCM20 and if you do not like the midrange of an SCM7 then you will not like the midrange of an SCM100 as well, they are so similar. Same goes for the entire presentation. This happens because:

1. They develop everything from scratch in-house, especially drivers and cabinets.

2. They do not design their drivers keeping in mind a certain price point (unlike B&W, Dynaudio and the likes). They just try to develop whatever best they can and then price it. That is why you never see them coming out with a new driver which is inferior to a previous driver, again very important and a very rare thing. That is also why all their drivers which were developed even decades back are still in production, after all they are the best at their price points.

3. They do not have many ranges of drivers. They just have a couple of them. One is bested by the other by a certain margin but not by much because even the older version had been perfected with years of R&D with no stones left unturned, so how much can they better it, considering that their philosophy remains rock solid ? And whatever improvement they manage to bring in is mostly appreciated (a lot) by existing ATC users because ATC users are not used to seeing improvements;).

arj

I have also come across opinions that essentially the house sound of the ATC's speakers remains the same. The dynamics and frequency range gets better with the bigger and better models. But if I had to upgrade I would only consider the cheaper options from the monitor and tower series. I do not feel that a shift to the entry series would be an upgrade over my present speakers.

You see Ajay, I am not boasting, I am trying to tell you the truth (that I know) so that you get it really straight in your face and that will help you in your quest. An ATC SCM11 with proper amplification will beat your current VA significantly, especially on western classical. You do not know what an ATC does to western classical:ohyeah:. No, No, no boasting here, I am no more an ATC user and do not plan to use ATC speakers for another 5 years. As I am writing this I am laughing my heart out:D. I know the VA are good speakers, I have heard it a few times and had myself recommended to you. They may/would beat the 11 on bass extension but you may actually end up liking the bass of the 11. I know you will not buy an 11 but a bigger ATC (if at all), this is just an extreme example I wanted to present which is true to my knowledge so that you get over the usual way of evaluating and comparing speakers (by weight, height, no of drivers etc). I have already mentioned but I will repeat to end this section You may not like the 11, in that case dont look at 50 or 100 as well. Basically you can forget ATC.:)


Secondly the mid range driver is different from the one used in their higher series. ATC made its name with the SM75-150 3" mid range soft dome driver. The Tower/Monitor series use the driver SM75-150S which is the real McCoy, while the entry series uses the comparatively inferior SM75-150. This is just something I have read. Please correct me if I am mistaken.

You are right in general. ATC is extremely well known for their dome midrange. I have heard their models with and without the dome midrange and IMO the best ATC speakers for domestic use are the ones with the dedicate soft dome midrange driver. What that midrange driver adds to the whole mid band is difficult to explain because they all sound so similar yet the midrange driver makes its presence felt. There is a certain warmth, sweetness and three dimensionality added which makes it feel like a real thing. SCM 50 and above have 150S driver which is better, but to be frank I do not know in which way because I have heard it in an active speaker so the equation is totally different. BUT, what comes with the SCM40 is seriously close. It was their and still is their standard studio midrange driver, it is THE driver that the world recognizes their midrange for. Unless a direct A/B is done it is very difficult to make out a difference between them 150 and 150S. So, I would say what you get with the SCM40 is super value for money. BTW, the next ATC product is going to be a SCM40 active. I do not have the idea about the pricing though.

Demystification continues:
The general consensus seems to veer towards the active speakers. Buying active ATC's would be a difficult decision to make for me as it would mean saying goodbye to both amplifiers and passive speakers. I would have to part not only with the VA's but also with the Bryston pre/power amps.

I never heard a ATC active until recently, but my fan-ship started with a passive and al throughout have been passive (various models). So, on one hand you could stop bothering about active vs passive thing, I will tell you why. As long as you are ready to provide the amplification the passive ATC requires, demands and deserve, you are not just good, you are doing great. I would always recommend you start with a passive ATC, not because it is better but because it is a lot cheaper way of understanding their philosophy, learning how to handle it, knowing your room, knowing if you are ready to give it what it takes in terms of time, effort and money to set it up well. After all this, if you want ATC to remain, your natural goal will be to go active and once you listen to a well setup active, you will know how big a bottleneck is your Bryston:). Really, you will not want the Bryston for a minute after that. Basically all these questions that you have today will be self-answered.

Last section:
If you do not like the way an ATC is sounding, in all probability there is something wrong else where:D. An ATC speaker is super revealing of anything and everything: the recording, your electronics, cables, isolation, power, placement, room, furnitures, curtains, carpets, you name it. It is not harsh but it is strict, like a Father. He will always remind you that something needs to be corrected with a certain degree of strictness which if you do not have the time/resources you could skip and still enjoy music but if you do have the resources then you will want to fix it sooner than later. And again like a Father, if you rectify something you will be rewarded handsomely asap:lol:.
One last thing, ATC is the only speaker I have come across till date that I think can become the last speaker in someone's system.


P.S: I know I have written some very bold statements which I should not have, but I thought this may help the interested readers to understand a little more about ATC than what is normally written in reviews and blogs. It is all my own opinion so you are free to add as much salt as you want. All this is okay but please try to listen to an ATC to really understand this legend. Even after living with this speaker for 3 years I still dont know a lot of things about it, so an audition may not demystify much but will be a good beginning.
 
Dr.Bass

I appreciate the fact that you have gone beyond conventional terminology and hackneyed phrases and stated your opinion about ATC boldly. The subjective opinion of an actual user (stated in his own words) would generally be more credible than an opinion which is essentially a reproduction or rephrasing of information gathered from forums and reviews.
 
Personally I have come to admire and love my Esoteric SA10 cd player and the Bryston BP6 and 4B SST amps. As long as they don't burn out on me, they are probably there for life. I love the Vienna Acoustic's also, but I keep looking at other options in order to remain in the hi-fi upgrade mode. An upgrade mode which is pleasurable and interesting as long as it is handled slowly and sensibly. I expect to audition the Thiel 2.4 with Bryston amplification in mid Jan, and I am looking forward to it :)
 
Wharfedale Linton Heritage Speakers in Walnut finish at a Special Offer Price. BUY now before the price increase.
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