cmsajith
Well-Known Member
Please sombody help me in comparing the Nakamichi RE-10 (used) vs NAD 325/326BEE vs Azur 640A vs Marantz 7001\7003. Anybody recommends this Nakamichi amp (used)? Please respond asap...
i think every newbie is a victim of unavailability of variety of setups during auditioning at every so-called HI-FI dealer shop. each dealer is somewhat biased towards a particular brand and try to convince buyer to listen according to him. Moreover, i am not accusing them of this act too, because every dealer cannot be a dealer for each n every brand, obviously! So please forumites, kindly try to give all of your opinions as and when possible to any newbie. Like i am not able to get to audition a NAD in chhattisgarh, Raipur city, or at kozhikode kerala. can anyone suggest any place in kerala? may be cochin?
Sajith, I guess you are referring to hi fi mart ad of the unit for sale in tvm. It seems to be a stereo reciever, so one advantage is it will have display and fm most probably. But SQ is something only our hfv gurus can comment on. Rs 16k is the asking price right? Is there a particular power requirement you have in mind for your stereo needs? Online feedback seems to be generally positive about this product.
Pras, I think our forum members always give a wide variety and time and again insist the newbies to audition all available options without bias. I cant say the same about dealers though.
The shops dealing in hi fi in cochin are hi fi links, Decibel etc. Then there are a few private guys who are not really 'listed'. I dont think we have a NAD dealer here.
Lakozy Impex and Services
Showroom No 3, Lakozy Mansion
21 Chowpatty Seaface
Mumbai 400007, India
+91 22 23697001/02
+91 22 23698001 (fax)
[email protected]
Why dont you email them expressing your interest and ask to arrange a convenient audition?
I ain't very sure whether that Nak uses the patented "Stasis" tech that Nak was licensed to use by Nelson Pass of Threshold from the days in mid '80s when Nak got into making amplifiers like the PA-5 & PA-7.
Later, in the '90s, Nak went in the hands of the Chinese - so wonder if the RE-10 is an Original Nak design or a Chinese one. The Chinese ones are just pure c**p in front of the earlier ones. BTW, stasis was implemented in the Nak Receivers like the TA-series (TA-1/2/3/4) & SR-series (SR-1/2/3/4).
The RE-10 though is a 100 watt per channel @ 8 ohms unit using 'Nakamichi Harmonic Time-alignment Technology' with a high-current power supply but I don't see Stasis on this one. It could very well turn out to take the pants off the NAD & Azur provided that RE-10 circuitry is authentic.
As a NAD 325 owner I would recommend it any day. I consider it to be a very good buy... one I am happy with.
Regards
I ain't very sure whether that Nak uses the patented "Stasis" tech that Nak was licensed to use by Nelson Pass of Threshold from the days in mid '80s when Nak got into making amplifiers like the PA-5 & PA-7.
Later, in the '90s, Nak went in the hands of the Chinese - so wonder if the RE-10 is an Original Nak design or a Chinese one. The Chinese ones are just pure c**p in front of the earlier ones. BTW, stasis was implemented in the Nak Receivers like the TA-series (TA-1/2/3/4) & SR-series (SR-1/2/3/4).
The RE-10 though is a 100 watt per channel @ 8 ohms unit using 'Nakamichi Harmonic Time-alignment Technology' with a high-current power supply but I don't see Stasis on this one. It could very well turn out to take the pants off the NAD & Azur provided that RE-10 circuitry is authentic.
With the absence of Stasis on this Nak, I would let is go irrespective of what it may be. I've personally used Stasis circuitry at one point of my life in the late '80s (Nak PA-7E-II) & later the Threshold SA-4e and must confess "it does make a huge difference in the overall temperament of the amplifier".
Do note that NAD & Azur are completely different sounding so it ultimately boils down to what loudspeakers they are mated with to get an overall soothing experience.
The Nak amps employing Stasis were primarily PA-series.
PA-5 was rated at 100 watts per ch x 8 ohms with a 600VA toroidal & 10 bipolar output transistors per channel. Current delivery into real world loudspeakers was 12 amperes continous per channel & 35 amperes Peak per channel.
Its bigger brother was the PA-7 which was 200 watts per ch x 8 ohms with a 950VA Toroidal & 132,000uF of capacitance. It had 16 bipolar output transistors per channel with current delivery of 18 amperes continuous per channel while 50 amperes Peak per channel into real world loudspeaker loads.
Both these amplifiers were uprated by Nakamichi in the very late '80s to Mk2 whereby PA-5-II became 150 watts per ch & PA-7-II was 225 watts per ch.
These amplifiers are A/AB amps & had a warm, smooth power delivery yet highly dynamic sound & were very load tolerant. They could paint a big soundstage with sharp imaging & extremely good retrieval of fine nuances. These amplifiers were commonly called "a poor man's Threshold". The build quality was comparable with the Krell & Levinson class & they were not cheap at that time.
Niro Nakamichi took the goodies of his PA-series and incorporated most of it into his TA-series receivers. Later again, in the SR-series again. '80 was the best-of-the-best of Nakamichi - be it their cassette-deck, amps or car stereos. The PA-series Power amps had their matching preamps - CA-series, again a 5 or 7 to go with a CR-series cassette-deck - CR-5 or CR-7. The US 110V voltage models were marked "A" while the European 220V models were marked "E".
NAD's & Azur's are not comparable with above mentioned Naks. It's also unfair to compare them since the leagues are very different.
I'm not sure why this so-called 'Stasis' technology is the be-all end-all for nakamichi amps. Why so much emphasis on it? What does it do? Are we saying that unless a nakamichi has 'stasis' it's a no-good amp? Would someone care to elaborate? Can't there be a comparison with 'normal' nakamichis vrs NAD/Azur/Marantz, which I thought was the original intent of this thread?
Thanks,
ok - here it goes.....
BTW - what's the speaker its going to work with?
NADs have fairly good power delivery with a slightly laid-back dark sound AND also shut-in sound. They are bandwidth limited in the upper octaves. NADs task was to make a polite sounding amp within the money.
Azurs are far more open sounding with better depth retrieval but skimp on power supplies hence quickly gasp for breath when pushed hard.
Marantz is quite an all-rounder with more prominence in the upper registers so careful matching required or else an ear-bleed.
This Nak should be of ample power hence takes on a bigger integrated NAD but likely to be prone to sparkling highs so careful with which speaker/cables you work with.
The very fact that the owner of the RE-10 moved to a Chord setup shows his strong preference towards sparkling highs.....
Whether it will strain the speakers or amp?Looking at your present speaker's specs, the RE-10 would drive it to really loud levels with a strain.
Give us a feedback once you get it & try it.
We want to know what the RE-10 is all about.
It was a long crazy listening session (from 5PM to 2AM one after another and had dinner at 2AM(my wife and kids are not here for some days))