Hi all,
I was born in a musical family where music was practised day in and day out, so there was music right from the time I was born. Many great musicians used to come to our place and at home or at many other numerous concerts I have heard almost all of the great Indian classical musicians of the time from almost a hand-shaking distance. I have also taken rigorous training in vocal Indian classical music from three gurus, at least 10 years of training from each. I was good in academics and my parents wanted me to take academics as profession. I went to an IIT after school leaving, but came back home almost immediately very home sick, did my undergraduates in Presidency College, one of the best places to do Physics those days. I did my Graduate studies including PhD and post-doctoral reserach in several places in the US and Europe. Came back and settled in Kolkata with a faculty position, despite a few opportunities, never thought of settling in the West, mainly for the music.
At home there was a transistor radio (very rare in those days, one of my elder brothers brought from US) and Hitachi spool recorder/player and a HMV Phonogram.
Till about 15 years of age, I was strictly prohibited from listening to anything else than Indian classical music.
First thing I bought in the US was a GE cassette recorder/player for about USD 30 in late 1981. BTW, I recorded a full Bhimsen Joshi concert in Pittsburgh (I was graduate student in Carnegie-Mellon Univ) in that GE recorder and I still have those two cassettes working. Then in 1983, I bought a Magnavox 2-in-1 stereo system (with detachable speakers) for about USD 150. I was amazed by the improvement of sound in that compact stereo system. Around 85/86, I bought a full Technics system with stereo separates, comprising of an integrated amp, a cassette recorder/player, a tuner, a TT and two large BS speakers. This whole system was bought for about USD 500 on a going-out-business sale at 1/3rd the price.
From my very early days in the US, I used to get invited by many Indian families (mostly Bengalis, Maharashtrians, Kannadigas, Tamils, Malayalis and Gujarathis) to their places. They used to give me very good food, and in return I had to sing for them. They were all hard-core Indian classical followers. All of them had very decent to high-end music systems and many of them used to record my singing and organise concerts for me. This was my first exposure to good-quality music systems, and I decided some day when I would be earning, I should have such systems. To many of them I became like a family member, and seeing my interests, at times they would call me to accompnay them when they went to audition some equipment. So I had a taste of all this already when I was graduate student in the US.
Within a few years some of my friends in Engineering graduated and were absorbed in the US Industries. Some of them also bought houses and decent music systems. As I have mentioned elsewhere, one such friend of mine had a Nakamichi Dragon Cassette deck at that time, and from 86 till 88, I listened to this Dragon almost regularly.
After finishing my PhD in 88, I went to Germany for my first post-doc (also got married). My wife was a professional dancer and had toured the whole world performing with her group. So I did not really get any resistance from her in two very important things in my life: 1) spending on audio equipments, 2) coming back to India in the end of 1994.
Soon after we sort of settled in Germany, we started auditioning audio equipments. But before that, we bought a 2-in-1 Hitachi system for nearly DM 300 and it was an excellent buy and could also record at a decent quality - amazing little machine. This was mainly bought for my wife though, because she was still occasionally performing and for rehearsals she needed such an unit.
Slowly we bought our system. First my Canton speakers for DM 2000. I bought them as demo pieces and got a discount of DM 400. As most of you know, they are still working and in fabulous condition. I really would be at a loss when they go down and stop functioning.
Then my HK6300 amp (DM800-900), Denon DCD920 CDP (DM 850-900), Aiwa 3-head cassette deck (DM 650-700), Dual CS5000 TT (DM 800-900), Kenwood GE5020 (DM500) equalizer all followed. Also bought AKG K500 (top of the line then for about DM 350) headphones for late night use. Got a stereo microphone and a pre-amp to go with for home recording. These were from a small Dutch company called 'Prefer' (DM 350). I did several fantastic recording with this unit using my Sony Pro walkman WMD6 (DM 800). At my home recently Cranky did hear one such recording of a concert of Ali Akbar Khan and was amazed at the quality.
After a 4 year stint in Germany we again went back to the US for a 2nd post-doc, carrying all these equipments and also a Grundig multi-system TV and a Panasonic multi-system VCR with features such as picture-in-picture (exotic features in those days).
After that I have bought several other equipments up to the Leben and the Nakamichi deck recently. But this is how it all started.
One thing I have to say before ending. I always enjoy music if the music is good. Because of my long involvement, taalim and riyaz in music, I can instantly do notation of all music I hear. But generally I tend not to be analytic unless I want to learn something from that recording. Similarly, given the quality of the equipments are decent, I tend not to nitpick all things about an equipment, although I immediately see many aspects of a system, like the tonal balance, clarity, macro and micro-dynamics, imaging, soundstage etc etc. Somehow, I have conditioned myself in a way so that when GOOD music starts playing, despite all the analytic activities going on in the background both in the music and equipment fronts, I enjoy the music and get fully immersed in it.
Regards.