square_wave
Well-Known Member
Speaker Rethm Sadhana
Dealer Absolute phase
Disclaimer : Prithvi is a dear old friend
A picture: 6moons.com - product showcase: Rethm
I had listened the Sadhanas once at the creators studio in cochin. I had always wondered how it will sound in a typical home. Although it has been installed at Prithvis house for a while now, I never really got around to having a listen. Until last weekend.
It was a pleasant experience
EXPECTATIONS
This is one big word when it comes to evaluating any audio gear especially loudspeakers. This word is especially critical in the case of the Sadhanas.
When confronted with large speakers (the rethms are quite copious albeit very classy and chic), the expectation is a large wall of sound which will resemble a train pounding along towards you at 200 miles per hour. It has to have sizzle, big bass and the excitement generated by a trashy women on a pole at Las vegas.
Well, the Rethms are striking in what they dont do if your expectations border on anything mentioned in the above paragraph.
The Rethms are striking in doing some things which most multi driver designs gloss over. Most of us are used to a certain amount of un-natural excitement coming out of loudspeakers. Years of exposure to boom boxes and boomy / tizzy loudspeakers have done this to our senses. When you hear natural sound floating out of a loudspeaker, your senses will start to relax because your brain has less assimilation to do. Once your brain is relaxed you start to enjoy music more. The music system gets out of the way. This is what happens when you listen to a well setup sadhana.
Three words could describe the experience: Coherency - Holographic imaging Presence. The crossover-less/single driver design of the sadhana is very unique in how they handle these three aspects of reproduced sound. Vocals and horns in Jazz has a presence which is more palpable than I have heard in any loudspeaker. Very high level of coherency which can sometimes shock you. Prithvi was not able to match the imaging I heard in Jacobs listening room. Placement is crucial for these speakers. Prithvi has an open area on one side of the hall which imbalances the imaging a bit. The last time I heard these speakers in Jacobs listening room, I felt I was sitting amidst the musicians. The feeling of being there was astounding.
Music played:
1. Jazz: Jazz at the pawnshop XRCD cd-2
2. Jazz Female vocals: Jennifer warnes (Famous blue rain coat)
3. Hindustani classical: (Hariprasad Chaurasia with Ustad Zakhir Hussain)
4. Blues : Classic JJ Cale
5. Rock: Fleetwood Mac - Rumors
6. Pink Martini Sympathique
Can this speaker do everything for everyone ?
I think Ill quote Srajan Ebaen from Six moons here:
It will work with ensembles which your space could physically accommodate if you invited the performers. Large-scale classical demands bass power from air displacement that's beyond the Saadhana. Power Rock or a closed-mike'd drum set will lack low-down brutality and crunch. Practically though, nearly 100% of the music I listen to is well served. Pleasure for me ties not to bombast or the death-defying stunts of demo material
Conclusion:
No speaker is perfect at price ranges anywhere near the asking price of the Sadhana. If it can do wonders with at-least 80 percent of the music you listen to, it is most definitely worth it.
This is a world class example of single driver full range sound. And it is there in your neighborhood to check out
Dealer Absolute phase
Disclaimer : Prithvi is a dear old friend
A picture: 6moons.com - product showcase: Rethm
I had listened the Sadhanas once at the creators studio in cochin. I had always wondered how it will sound in a typical home. Although it has been installed at Prithvis house for a while now, I never really got around to having a listen. Until last weekend.
It was a pleasant experience

EXPECTATIONS
This is one big word when it comes to evaluating any audio gear especially loudspeakers. This word is especially critical in the case of the Sadhanas.
When confronted with large speakers (the rethms are quite copious albeit very classy and chic), the expectation is a large wall of sound which will resemble a train pounding along towards you at 200 miles per hour. It has to have sizzle, big bass and the excitement generated by a trashy women on a pole at Las vegas.
Well, the Rethms are striking in what they dont do if your expectations border on anything mentioned in the above paragraph.
The Rethms are striking in doing some things which most multi driver designs gloss over. Most of us are used to a certain amount of un-natural excitement coming out of loudspeakers. Years of exposure to boom boxes and boomy / tizzy loudspeakers have done this to our senses. When you hear natural sound floating out of a loudspeaker, your senses will start to relax because your brain has less assimilation to do. Once your brain is relaxed you start to enjoy music more. The music system gets out of the way. This is what happens when you listen to a well setup sadhana.
Three words could describe the experience: Coherency - Holographic imaging Presence. The crossover-less/single driver design of the sadhana is very unique in how they handle these three aspects of reproduced sound. Vocals and horns in Jazz has a presence which is more palpable than I have heard in any loudspeaker. Very high level of coherency which can sometimes shock you. Prithvi was not able to match the imaging I heard in Jacobs listening room. Placement is crucial for these speakers. Prithvi has an open area on one side of the hall which imbalances the imaging a bit. The last time I heard these speakers in Jacobs listening room, I felt I was sitting amidst the musicians. The feeling of being there was astounding.
Music played:
1. Jazz: Jazz at the pawnshop XRCD cd-2
2. Jazz Female vocals: Jennifer warnes (Famous blue rain coat)
3. Hindustani classical: (Hariprasad Chaurasia with Ustad Zakhir Hussain)
4. Blues : Classic JJ Cale
5. Rock: Fleetwood Mac - Rumors
6. Pink Martini Sympathique
Can this speaker do everything for everyone ?
I think Ill quote Srajan Ebaen from Six moons here:
It will work with ensembles which your space could physically accommodate if you invited the performers. Large-scale classical demands bass power from air displacement that's beyond the Saadhana. Power Rock or a closed-mike'd drum set will lack low-down brutality and crunch. Practically though, nearly 100% of the music I listen to is well served. Pleasure for me ties not to bombast or the death-defying stunts of demo material
Conclusion:
No speaker is perfect at price ranges anywhere near the asking price of the Sadhana. If it can do wonders with at-least 80 percent of the music you listen to, it is most definitely worth it.
This is a world class example of single driver full range sound. And it is there in your neighborhood to check out

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