D
Deleted member 15865
Guest
Something that you won’t compromise on. I am putting down some generic properties of musical sound reproduction. Interpret them your own way.
Last edited by a moderator:
Believe me
One won't be happy for long if one attribute is significantly more then rest, when it comes to critical listening.
I would say balance of all is what anyone should aim for
Believe me
One won't be happy for long if one attribute is significantly more then rest, when it comes to critical listening.
I would say balance of all is what anyone should aim for
Those who say ‘all the factors balanced’ hopefully don’t mean all those factors maximised. Because that’d be utopian/cost a bomb. Give that we all have finite budgets, while some of us might opt for an all-rounder that balances all factors (within our budget), others might want to maximise one of those factors and be willing to compromise one some others to achieve their own objective function (sound goal) within their budget. There might not be one ‘ideal’ way that applies to all.
If it’s accurate, it will be spacial, dynamic and everything what the artist intended for the listener in the track.
By the way, the choices given by the OP cannot be seen in isolation and are essentially interconnected.
if you meant what goes in, what comes out “amplified”, then spatiality and dynamics will still be there. I like to know what they wanted in their recording . For example the popular Pink Floyd should sound with all those spacial cues instrument timbre he intended in the recording at the same time several 90s Hindi numbers should make me hate those idiots whoever was sitting behind the console!By accuracy I intended to mean linearity - a more flattish curve that doesn’t favour any particular frequency at the cost of some other. That has no bearing on spatiality or dynamics.
if you meant what goes in, what comes out “amplified”, then spatiality and dynamics will still be there
Will a mono recording have soundstage on Dynamic system ?So a mono recording that’s reproduced linearly will have soundstage as per you?
Will a mono recording have soundstage on Dynamic system ?
I think we are still on different pages. So my answer to your previous question, is NO. On a mono recording you won’t hear a “soundstage”. On a stereo signal, with a linear system like a pair of genelecs driven from a dac like rme adi 2, the objects in space would be placed in space accurately as the artist intended, provided your room has the same acoustics and seating position as him. Tonaly what he heard would be what you will be hearing too.Linearity, Dynamics and Spatiality are different attributes.
Linearity refers to the frequency response curve. Dynamics is about the dB difference between louder and softer passages. Spatiality is about placement of instruments in the 3D space.