Well since the port discussion has now turned into a pro speaker discussion, thought I might rant a bit too.. just because it is fun..

At the start let me make it clear that I am talking about products/drivers from internationally respected pro audio brands (eg: Faital pro, BMS, and so many other more famous and less famous brands) and not the cheap stuff that is often sold as pro audio products in India. Let me also make it clear that my personal experience with handling pro audio drivers/speakers is limited compared to typical "hifi" drivers. But I have been exploring a bit about the pro audio world and its application in home hifi setups for some time now. In general, the pro audio world is ages ahead in driver technology implementation and their research, and DSP capabilities compared to typical home audio products. The current best home audio drivers are no match to their 'pro audio' counterparts whether it is high frequency drivers (dome tweeters vs compression drivers (CDs) on horns), mid woofers/woofers etc. This is with respect to engineering aspects like ON and OFF axes frequency responses and directivity, SPL levels that can be achieved, harmonic and intermodulation distortion, power handling and reliability influenced by thermal and mechanical limits and other things. In fact regarding the question as to why the best pro drivers are not used in our homes if it is all so good with pro audio drivers, the answer can only be that it is mostly because of the "shapely speaker package" visual aspects and partly due to a typical consumer's (our) lack of understanding about the best in the pro audio world.
From an engineering point of view, a fundamental aspect where pro audio drivers and "hifi" home audio drivers differ is in the focus on some engineering aspects. With typical home audio drivers, their intended use will be in a 2 to 3 way speaker in a
shapely package that fits into typical box dimension ideas that people have about speakers. This also means that the lower frequency drivers often have to provide a sufficient low frequency extension with their limited sizes and low box volumes. This often translates to lower sensitivity, lower max power handling, and the trade offs related to all the non linearities and distortions handling due to the "no free lunch" idea

. Typical good pro audio drivers are not constrained by the above limits of very low frequency handling and size. Therefore they can take bigger sizes which in addition to enabling better acoustic coupling with air ( and efficiency), also allows flexibilities in terms of them being able to take the best in the driver technologies available. Whether it is related to power handling or distortion handling. Regarding high frequency driver technology, many experts consider 'dome tweeters' as a fundamentally flawed technology compared to compression drivers w.r.t the kind of wavefronts they emit. How they translate to listening experience at home is another matter. CDs on horns are the ultimate in high frequency directivity control which is one of the most talked about aspects these days by almost everyone out there thanks to ASR and other forums.
Just think about the increasing popularity of dome tweeters on waveguides in speakers these days and about how good they measure and become benchmarks for home hifi speakers for people who are more concerned about the objective aspects. Where do you think the idea of waveguides and horn loading come from?

And the 'harshness' that people often associate with CDs on horns are due to reasons like the break up modes of the compression driver not handled properly, pattern flips in ON/OFF axis frequency responses etc. The best CDs on the best horns have moved beyond all that and it is just us who are stuck with these past ideas. Take a look at CDs like:
https://faitalpro.com/en/products/HF_Drivers/product_details/index.php?id=502020185 and
https://celestion.com/product/axi2050/ These when loaded on the right horns leave our home audio HF driver leagues behind in terms of frequency response, directivity, sensitivity and SPL limits. For the best horns for home use (in addition to good pro audio horns), try
https://at-horns.eu/edge.html and Mabat's thread here:
https://www.diyaudio.com/community/threads/acoustic-horn-design-the-easy-way-ath4.338806/ (In fact this has been termed as the best horn thread available to mankind..

)
For shapely packages with pro audio drivers, look for ideas here:
https://josephcrowe.com/
I am just skipping the DSP related aspects as there is no comparison between pro audio and home audio in that aspect. Active/passive directivity control down to the low frequencies and FIR filters are like piece of cake in pro audio world. It is just us who are still thinking that MiniDSP and EQ is a big thing.
In short, the best in audio technology is available in the pro audio world (and to make it more interesting, available at much lower costs). If we just equate typical pro audio products commonplace in India to the best in pro audio world, it is just us who are at a loss.
