Nice Review Gobble San, will drop by some time soon. I would like to also listen to my vintage Pioneer CS-15 high efficiency single driver speakers, will get that as well.
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Sure. Drop by..
--G0bble
Nice Review Gobble San, will drop by some time soon. I would like to also listen to my vintage Pioneer CS-15 high efficiency single driver speakers, will get that as well.
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Gobble,
Let your amp get fully broken. We will try it with my AP floor standars. Being MTM config, I do not think it needs so much of power and I remember Siva saying that it will match very well with tube amp as well (knowing most of the tume amps are low powered!)
Regards,
Venu
The Shigaraki is an after-sundown system when critical concerns evaporate, the frontal brain deactivates and more intuivite/emotional/absorptive faculties awaken.
Aha, the Shigaraki is a NOS DAC. I bought a hand built MHDT NOS DAC direct from Taiwan(IIRC), the sound excelled in the midrange but it wasnt extended on either end of the spectrum. I guess this is typical of a NOS DAC - they are known for their ease of presentation and not so much for outright bass and sizzle. I can see how this DAC would make sense with a nice 2A3 SET in a near-field setup where the amp would impart a great deal of inner bloom to the music. We are talking seriously euphonic sound here.
If you believe that the speaker level input to the sub is not working, you should try a tube-preamp with two pre-outs. Let me if you want to try this out, I can help.
I dont know if the sub integration has to do with the amp. Sometimes the line out from the sub to the power amps can have impedance mismatch issues. I discarded this approach after I found this to be issue with a martin logan dynamo i owned years ago. The best way to resolve this to either have a preamp with two line outs or connect the power amp high level outputs to the sub's high level inputs.
Still, the best way to integrate a sub is through RTA and equalization. You need to put something like the DEQ2496 in the signal chain and see how it works for you. Damping the room is also key, but the way horns interact with the room is a little wierd. I have tried damping the room with fibreglass panels, but no luck whatsoever.
If you are up for it, I can bring along my DEQ2496 with the calibration mic and see how it works in your system.
You dont need a full pre. just slap a lowpass and high pass in a box and you are done. many people will be able to help you with the circuit.
I thought you also had the jordans, what happened to them. how do they fair as compared to the fostex. i was looking forward to a comparison between jordans, fostex, alpairs and others.
Hi BoB
I forgot to reply earlier, sorry. As you now know, I dont have a sub out. And I plan to get on with the business of living and forget about buying more gear - another pre for sub out ? No way!! Thats the cost of a pre + another 10K for good ICs.
But I sure am interested in your observations and measurements with the DEQ2496.
Tijimon mentioned in passing that the phase may not be right. Maybe I should rotate the sub around an axis and check that. but the challenge is jumping straight into the intuitive mind mode when doing an A/B. Almost impossible, have to wait 10 mins before the mind settles in by then the A/B is lost!
The frequency extension of this dac is quiet good actually I suspect much better than other NOS dacs, but my speakers fall rapidly after 10K so its only an inference based on listening tests as of now.
--G0bble
In all seriousness here, you have to take it easy! If you are 30 seconds into A/B and cannot find any difference, then it is the end of the A/B comparison. I know everything is supposed to be relative and improvements are supposed to be incremental too. It is very hard when you do not have a clear view of what exactly you are seeking. Knowing how elusive that magical sound can be, one has to take comfort in the knowledge that you will know it when you hear it. But it doesnt come easy. Sound has to be one of the most difficult things to mould and shape to your tastes.
I had the luxury of working from home in Chicago for nearly a year during which time I bought and sold various pieces of equipment on audiogon and Ebay. I had damped my apartment living room with 4 mattresses stood up against the walls(very effective). I had a highly rated but cheap 2A3 SET, ML Dynamo sub, a cheap but decent chinese preamp, Apple AE as a digital source. My system never sounded right until I got the Behringer DEQ2496 and equalized. That is when magic happened. If you noticed none of these components are high end or expensive. In the end the components that really mattered were the power amp, the speakers and sub, the DEQ and not to forget the room damping. The cables, pre-amp and DAC mattered less in the final analysis. I was using the DACs in the DEQ. The alternative is to go all in at great expense with a single brand such as Audio note or Krell depending on your preference(not quite as much fun or agony).
I will have lots of free time after March 31st. We can try some of my ideas and see where it takes your system. I can bring the DEQ, the Almarro and the Dared preamp along to see how they work with your components.
I forgot to post about my subwoofer problem.
Some of you might recall I have a REL T5 subwoofer that I use with speaker level inputs. The Shigaraki dac like all NOS dacs has a very relaxed presentation. 6moons even described it like this
Truly an insightful description of the dac and I concur wholeheartedly. Now I struggled for a frustrating two weeks switching on and off the sub and listening for differences. The problem was that the moment I stepped back for an A/B comparison, my mind was jumping into analytical mode and the difference wasn't apparent. Yet the moment I slipped into a relaxed enjoy-the-music mood I was confounded by a certain absence of musical insight and that relaxed presentation with the sub switched on. It seemed to affect the higher frequencies as well like with small bells with no sub frequencies being played at the moment in the tracks. I strained hard to hear if the decay was longer or shorter but frustratingly it seemed to be the same. Then I began to suspect that the harmonics after the note was struck may not be right. Finally I have now concluded that the REL is introducing some kind of inaudible noise or distortion into the tube amp, effectively robbing the music of its insight,and all those things that can only be felt by the intuitive mind.
It seems as though the interaction of the class A/B amp in the sub with the output transformers of the tube amp is not flawless. But I am at a loss as to how to correct it. Now I cant let the $700 sub rob the $1500 dac of its magic, so its lying unused
Any tips and suggestions on how to troubleshoot this are welcome.
-G0bble
Excellent job with the stands Rahul, they are a good match in form and perfect in function.
Now that you have tamed the LF , what about fine tuning the upper spectrum with something like this? Madisound Speaker Store
Tack is supposedly having excellent damping properties, have you experimented with thicker layers of tack under speaker?
Enjoyed reading your post Gobble. The stands look good and glad they have solved your problem. I will drop by for a listen sometime soon.
Let us try and go together Capt.Hey congrats Rahul. I hope to drop by during my next visit to Bangalore.
Good one Captain. ROTFLMAOBTW what happened to the wooden blocks. I'm sure the nearby chicken shop wala would've lapped them up.![]()