Sanjay,
You have been a GREAT help. Really appreciate your effort in explaining things technically and simple enough for people to understand.
Did you move the right front speaker to a symmetrical location to re-establish left-vs-right balance? Is there a "small reflective area" on the right side wall to keep the soundstage symmetrical? Did you re-run Audyssey to calibrate correct delays and levels for the speaker you moved?
After covering the reflective junction with absorbers on both sides of the room, now my L and R speakers are symmetrically placed. Equi-distance from front wall and side wall. And they are also set at the same volume levels.
I didn't run Audyssey again. I used my SPL meter and adjusted the levels in my AVR and Stereo Pre Amp (Oppo 105). Because I always play in Pure Direct so Audyssey EQ is anyway not used. I used Audyssey initially to measure the speaker distance and setting the channel levels. Now, I did the distance measurements using a tape and changed the values in AVR and Stereo Pre Amp manually.
Keep in mind that when you put up treatments, you cut down on many reflections that were masking small problems. With those reflections minimized, small left-to-right imbalances are no longer drowned out by a sea of reflections and can therefore be heard more easily now.
EXACTLY Sanjay. Spot on. I was thinking in similar lines. I also feel that with most of the reflections controlled, I feel that the "sweet spot" really narrows and with a slight tilt of my head, I can feel that the sound stage actually moving

. Only if you pay attention though.
You know what, after getting immersed into music, closing my eyes, I really stopped caring about any imbalance and started enjoying the music. At the end of the day, what you want is a setup that immerse you into your favorite music
The KEF speakers I have claim to have a wide sweet spot. I think it does create an artificial sweet spot on a non treated room exactly for the same reasons you mentioned. I think an untreated room is masking lots of problems

. But when you play these speakers in a treated room with controlled reflections and bass, these speakers turn out to be completely different. So I got a winner and loser at the end with my acoustics.
1. My KEF iQ7, I thought was bass shy, started to fill my room with good musical bass :thumbsup:
2. Again the same speakers I thought would present a very wider sweet spot because of their proprietary UNI-Q driver technology, turned out to be creating a pretty narrow sound stage in a treated room.
But overall I am happy because my KEF iQ7 seems to have got a second birth and is now pumping out good musical bass and are sounding pretty "big"

. I would say around 60% closer to the "hefty sound stage" delivered by Zu Omen Defs. I can now hold off my speaker upgrade for a while now. Feels like, I got myself a new pair of floor standers. I think the sound might improve if I get myself a good pair of mono blocks. Right now my I am using a stereo power amp rated at 70W/ch directly connected to my Oppo 105. This is not bad at all, but who doesn't want more head room from a more powerful amp

hyeah:
Off Topic : I don't know how a 35W SET, Pure Class A will drive my KEF iQ7 rated at 90db sensitivity
Thanks,
John.