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It's not a problem, it's a bit of a challenge. And if I can detect the difference between WAV and 320-MP3, then I need to admit it, and stop quoting authorities about it. Even if one of them is the guy who not only invented MP3 but probably knows more about digital audio than.
I will be even nitpickier
CD bit rate is 1411 kbps. There seems to a slight error in in your calc.
DSD64 has 64x44100 kHz sampling rate, DSD128 is 128x and DSD256 is 256x.
Addendum: 44100 kHz x 16 bits x 2 channels = 1411.2 kbps
he is not meant for cheap stuff
On a side note, i listen to mostly rock and thus have got used to heavily processed music.
It's not a problem, it's a bit of a challenge. And if I can detect the difference between WAV and 320-MP3, then I need to admit it, and stop quoting authorities about it.....
......Spent the afternoon enjoying a great Veena concert,.........
.....It's a tough sample too, with the long gaps, but I suppose you chose that for assessing the decay tails.
Anyway...
I have now gone mad and am writhing on the floor screaming No! No more! I can't stand it!
This was my first impression: part A sounds less "natural" than part B. I therefore would have said that part B is probably the WAV.
When I opened the file in Audacity, part B seemed to have more information, or maybe just a slightly higher level.
.......
because, to me, the main symptom is fatigue..
Oh Thad how I wish this came up while I was in Chennai. :sad:Rajesh knows that I don't use the stuff that used to be bundled with low to mid-price equipment. Mind you, I have a box full of it! Would make for an blind interesting test.
Sure thing Thad. Let's settle the issue; once and for all.Would make for an blind interesting test
I'm only waiting for you to finish those speakers...
Only thing is, we didn't do a double blind testing.
Ambio said:You are wrong. The extra info you see in B probably due to reconversion to WAV.
Sit at one place and sweep the room and get the frequency graph at that point. Now change the cable Repeat. See if there is any difference in the frequency graph
These comparisons won't make sense unless (i) the listening sessions are double-blind and (ii) they are all rips from the same source disk, and (iii) the MP3 has been encoded with the quality parameters I'd mentioned.Ok ...have you listen to stockfish record or laya project..just try to listen to them ..anyway i want you to visit my home to listen to the ssme...mp3,flac and then SACD rip
These comparisons won't make sense unless (i) the listening sessions are double-blind and (ii) they are all rips from the same source disk, and (iii) the MP3 has been encoded with the quality parameters I'd mentioned.
I know the thread topic is about MP3 vs lossless, so I guess discussions about hi-res formats is OT, but while we're drifting, I might as well throw my two bits in. I guess you've seen this amazing report:It's true... When I listen to damn good 96K music, I'm almost ready to subscribe to the high-bit-rate thing, until I remind myself that I do not have the 44.1 to compare, and, more especially, that most of my "CD-quality" music is damned good too!
You are a Linux user, are you??!!?? A pleasure meeting you, sir.I guess I'm going to have to split the files and then try to ABX it. That means seeing if Foobar works in Wine (it does) and Wine audio works for me (it usually doesn't).
How are you able to look at waveforms visually and determine which sample has more information? I am not arguing -- I'm curious.In a way, I realise that I have cheated already: I know which has the most information, because I see the waves. I'm supposing that the one with the most information must be the WAV.
Yes, I remember a promise unfulfilled -- Worldspace. When I first heard of so many channels of 2-channel music, ad-free, it seemed like a dream come true. I subscribed to it, hooked up the receiver to my audio system, and within a few hours, realised what a mistake it was.The really low-bit-rate lossy stuff, as per a lot of streaming services, is the pits. I hope everybody is agreed on that!
Not at all! It's there in the thread title: we're just moving onI know the thread topic is about MP3 vs lossless, so I guess discussions about hi-res formats is OT,
Comparison between 24 and 16 bit audio
The comparison process has been designed well to make it truly blind comparison, and just look at the results!
I can cite more equally amazing cases, but it won't make a whit of difference to the Believers. We will keep hearing comments like "But even my dog can make out the difference!"![]()
And you! I'm ashamed to say that I'm an ex Unix systems manager who can't, now, even remember the syntax of a shell script. MS WinXP sat on my desktop from sheer inertia for ages, until I finally gave it the shove about four years ago.You are a Linux user, are you??!!?? A pleasure meeting you, sir.![]()
That was a very dubious, spur-of-the-moment assertion, and probably just a bad choice of words. I don't know much about such things, but, what I think I was seeing there was simply that "part B" was slightly louder. Not "more information" at all.How are you able to look at waveforms visually and determine which sample has more information? I am not arguing -- I'm curious.
...Comparison between 24 and 16 bit audio
The comparison process has been designed well to make it truly blind comparison, and just look at the results!
..