Hello Guys,
Good to know that Prem is enjoying his new Saadhana. I am sure he will be able to report very accurately on how it sounds, and how it compares with the older Saadhana's, especially as the new ones break in.
I thought i would chip in with a few comments in response to Prems observations and Nikhil's questions.
First, Prem's comment that the new driver is as good as the Lowthers:
Our aim was not just to equal the Lowthers, but to surpass it. While the Lowthers were amazing drivers, they had one fundamental, almost fatal, flaw -- and that is an unnatural "lift" in the upper midrange/lower treble area -- which can actually become annoying after some time. When we were using the Lowthers, we had to design certain modifications to "tame" this peculiarity. And it is this flaw that made me decide to try and develop our own driver in the first place. It was a difficult process because we had to be very careful not to throw out the baby with the bathwater. So -- retain all the speed, dynamics, transparency, "liveness"....while eliminating the frequency anomalies and producing a smooth sounding driver.
It was almost 2 years of work, and i believe we succeeded in doing what we set out to do. And MOST of the credit for this success must go to the engineer who designed and manufactured the driver for us. His name is Milind Patel, is Bombay based, and apart from being a great engineer, is also one of the finest human beings i have met. I was just the ideas man, who told him what i wanted, how i wanted it to sound, what efficiency i needed etc..... and helped him to solve certain design issues, like deciding on the right kind of paper and brainstorming with him on creative solutions whenever we hit a roadblock in terms of performance. I also did all the critical listening and giving him feedback for him to make changes. However, if not for him...... there would be no driver, and there would be no Rethm as we see it today. More people in the Audio world in India need to know about Milind.
And there is another moral to this story: and that is.... that we in India are capable of competing with the very best in the world, if we set our minds to it.
Now, Nikhil's question:
The new Saadhana is a totally new speaker with NO shared parts, drivers, electronics, or architecture with the old Saadhana. Starting with the new 7 inch wide-band driver, which is really the heart of the speaker, we had to redesign the labyrinth for the driver to maximise its efficiency all the way as far down as it would possibly go ( which is about 45 hz, in this case ). Bass module: the old Saadhana had three 6 inch drivers in a modified isobaric configuration. The new one has three 7 inch drivers with a larger sealed chamber, and a horn with a substantially bigger mouth. And the bass amplifier, as Prem mentioned, is now a 220wpc unit.
What all of this should do.... is to present music with the same liveness and dynamics, but flows more easily, with less of a feeling of strain, or compression....getting it a little closer to live music. It is akin to allowing water to flow out of a bigger tap. There are also definite gains we managed to make in midrange "tonal density" etc. which do go a long way towards making it sound better than the older units.
And Prem can tell you if that is what he is hearing....
Cheers,
jacob