Spot on!
I have an example that bears testimony to this principle. A very close friend decided to go for the Spatial Set up thinking that he would be able to overcome the deficiencies of his listening room - a square with concrete walls, a false ceiling and French windows on either side.While doing the initial measurements it became apparent, to both Clayton and my friend that they were dealing with a room of mirrors.In other words a complete acoustic nightmare.
My frind was left with no option but to go in for basic room treatment in order for Clayton to take over with the Spatial Suite.
The system - EP 2.3 + W4S & Modwright amps + Prism Orpheus + 2 Black holes. ( bass cancellation boxes) + Mac Mini now sounds like a million bucks. Open, detailed, laser sharp etching of accoustic imaging, wide and deep soundstage, stunning macro and micro detailing...
I have heard this very system (without the Spatial Suite) before and after the treatment and I can tell you that the difference is night and day.
Cheers,
I have an example that bears testimony to this principle. A very close friend decided to go for the Spatial Set up thinking that he would be able to overcome the deficiencies of his listening room - a square with concrete walls, a false ceiling and French windows on either side.While doing the initial measurements it became apparent, to both Clayton and my friend that they were dealing with a room of mirrors.In other words a complete acoustic nightmare.
My frind was left with no option but to go in for basic room treatment in order for Clayton to take over with the Spatial Suite.
The system - EP 2.3 + W4S & Modwright amps + Prism Orpheus + 2 Black holes. ( bass cancellation boxes) + Mac Mini now sounds like a million bucks. Open, detailed, laser sharp etching of accoustic imaging, wide and deep soundstage, stunning macro and micro detailing...
I have heard this very system (without the Spatial Suite) before and after the treatment and I can tell you that the difference is night and day.
Cheers,