Outside of the pro world, speaker response graphs are just brochure illustrations. We can't say that they are all lies, but they are presented by the marketing department, not by technical people. However they do it (and in the knowledge that not many of us can really interpret it anyway) they show us something that looks like what we want to see.
Even then, what is flat? Although all these things must translate into some shape on the response graph, for the purposes of a non-mathematical conversation, is it not
without added flavour? And is it not true that speaker manufacturers
do add flavour, according to what they understand to be the tastes of their target market?
Yesterday evening, I was listening to a live
Grateful Dead performance, downloaded as FLAC (paid for, but worth it

) from
Wolfgang's Vault. The quality of this particular recording is really excellent. It made me think of another suggestion to post here, re the matters of live, recorded and "flat" music: Isn't the real flat (as in unflavoured, and unfettered by venue acoustics) live music experience that which is heard through the engineer's headphones?
Just another idea for the mix
