while everything has changed so much, and while the world is moving towards a perfect source of music (storage,retrieval, and delivery), loudspeaker design has not changed much - one hears of software which optimizes cross-over design and cabinet volume and dimensions and placement of drivers, but there is no fundamental change ( even if one considers planars and line-array) - the best are still (massive and inert) coffin-boxes. (an exception,{and one that i have heard} and a superb one at that, is the EMERALD PHYSICS loudspeaker)
so, the question posed is this -
if a person wanted to design a loudspeaker that bested the best of the lot, how must he/she proceed? - where does one start and how does one proceed?
so, the question posed is this -
if a person wanted to design a loudspeaker that bested the best of the lot, how must he/she proceed? - where does one start and how does one proceed?
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