Ravin,
Since you have both Marantz and Carnival 6, can you give your impressions on that pair? will it be an okay or a decent sound?
Thanks,
KVN
Hi Kevian,
I am not an expert reviewer and neither am I good in expressing the terminology that audiophiles use. I just trust my instincts.
The Mordaunt Short Carnival6 tower speakers are very easy speakers to drive but can become difficult if you want to get the sweet spot like a possessed audiophile.
I spent several hours listening to the same track over and over again while repositioning the speakers in several positions, measuring each one of them and noting it down on paper like a nerd.....:lol: It's a good learning experience with this set of speakers.
The sound reproduced from the Carnival6 is neither too strong on the bass side nor too sharp on the bright side, instead has good mid range tones within the listening frequencies. It is unlike the Avant 904 that I previously owned which was more bright and lacked the bass. What it lacks is image and openness of the sound. I have actually bi-wired it with silver coated copper speaker cables for the highs and copper for the lows to extend the sound frequencies from normal speaker wires.
When the Carnival6 is connected to the PM7001, things change and the speakers become more active and lively.
During the audition of these speakers with Marantz PM7003 and PM8003 and CD5003, I played the following tracks:
Chris De Burgh - Lady in Red (very smooth with PM8003, the sound was flowing in the wind)
Enya - May It Be (the woofers could barely manage with the extremely low bass sound without distortion)
Eagles - Hotel California (good and smooth)
Extreme - More Than Words (the sound of the fingers plugging the guitar chords were noticable but it lacked just a little brightness)
Lady Gaga - Nothing Else (the sound of the bass guitar in the background seemed overshadowed with the overall sound, unlike the wharfedale diamond 9.3 that I had listened to before)
Dire Straits - Private Investigation (the sound of shattering glasses during the interlude of the song lacked the sharp and shrill sound but was audible)
Dire Straits - Telegraph Road (the beginning stage when the saxophone is played is accepted but not as good as I listen to in my car)
David Guetta Feat Akon - Sexy Bitch/Chick (for this song, I connected the subwoofer to enjoy the bass)
Kenny G - Sentimental (good)
Yanni - Live at Acropolis (managed to keep the sounds on the stage in the forefront and put the clapping sounds in the background away from the centre stage)
I would suggest to audition the speakers with tracks that you usually listen to most often.