Hi
I am hoping this link is completely bang on topic (of listening to speakers in rooms and hopefully figuring the whys? and what tos), interesting and informative. I would also like to thank the hfver who complimented me on my ignorance about target curves and (probably) envied the bliss it resulted in via pm. That started off a line of inquiry which I had previously missed. I of course, am not contesting the accuracy of that statement, merely acknowledging its truthfulness.
"The B&K target was formally presented to AES in 1974, and sound engineers were already aware and using similar type curve since the 1950s or earlier.] A flat response will sound like shit at the listening position" . Additional detail and linky below
I came across this on SBAF (
What is Neutral Frequency Response | Super Best Audio Friends)
"An objective angle is another; but it needs to be supported by the subjective observations.
Amps and DACs should always measure flat more or less. If the equipment is not for pro-use (where it would be slotted in long chains of other gear), a little roll-off at the extremes would be OK and probably imperceptible. Distortion and other non-linear characteristics are going to have a larger impact on sound, even in the perceived tonal balance sense, than 1.5 db roll-off at 20kHz.
For transducers, depending upon the measurement method used, there should always be a target response to achieve neutrality. A flat line isn't necessary that target.
At the listening position with speakers, the target response I like is the old B&K target (
http://www.bksv.com/doc/17-197.pdf) see page 4."
(emphasis added) I note that like that kind of a target curve.
Adding here instead of an separate post : re the all important cables in your head (from TEGs signature)
How The Ear Works | Sound On Sound. I guess though that he has already read this one "The most important pieces of hardware in any studio are the ones on the sides of your head. In this article, we're going to have a close look at the tool we all use every day: the ear.
This small organ has quite a few surprises in store for us. We' see that it's literally crammed with equalisers and dynamic compressors, including a multi?band one. It even includes an extremely efficient filter bank, as well as a highly sophisticated analogue?to?digital converter. Armed with this knowledge, sometimes referred to as 'psychoacoustics', we'll discover numerous practical consequences for music production"
ciao
gr