Bryston DAC which costs about 1.6L in USA.
It costs 1.55L with audio people in India. Enquired for a friend sometime back.
Bryston DAC which costs about 1.6L in USA.
After placing the order, I am told that there is some octroi thingy in Pune which has somewhat spoilt my mood. I hate paying money to the government for doing nothing.
Me tooBeen there done that
I have paid some ridiculous amounts as Octroi.
Me tooand buggers had also ripped open some of my packages for no reason.
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I went for audition of Thiyaga DAC yesterday. Though i wanted to gauge the DAC performance, I ended up listening to a complete Thiyaga setup.
...
What I could note:
1. Wide soundstage with clear vocals for Jazz/Classical. Especially, Norah Jones Nightingale sounded like NJ sitting in the middle of a well crafted band. You could hear the bass at one end while the drums at other (something like that), while the lovely voice sat high in the middle. Actually, this became apparently clear even as I walked in. Some caranatic music was playing on the system through a audio cd and I can say it was very close to any of the live session that I have listened to in chennai temples.
2. When it came to some low bit rate files like Mehdi Hassan mp3 ripped from a LP (not well done), results were not so good.. there were segments where harmonium took over everything and countered its own sound notes, sounding chaos...
3. Rock was laid back and lacked energy. I verified this twice. Heard rock to start off and came back to it after listening to some jazz. It was definitely cleaner. You can make out every word in Hate Me or even Crawling. But I never hit you like rock is meant to.
So, to me it sounded, very good for Jazz/Soft Classical well recorded songs. Rock sounded clinical, but do u want it to sound clinical or energetic?
This left me wondering, if a real system can deliver both rock and jazz with equal finesse?
I think the Reimyo DAP 777 was designed to compete with the DAC's back in the day (6 - 7 years ago). The AP thyaga DAC is made after the DAC market has flourished and there are enough advanced DAC chips and other components become available.
It would be really interesting to see a professional review on how the AP DAC compared with the likes of Bryston DAC which costs about 1.6L in USA.
Using a latest DAC chip wont make a dac superior, its the design which matters. Remiyo 777 is considered as one of the bast dac in the market even now.
This is a very important point you are making and I feel there could be some technical answer for this. Since most of my listening do not relate to classical/Jazz, I think I will look at listening other DACs before deciding on the Thiaga DAC.
Has anyone else auditioned the Thiaga DAC with Rock (Pink Floyd, Deep Purple, Jetro Tull, etc)?
A dac has nothing to do with voicing of a system for rock, jazz, metal , classical etc. The source is a neutral entity. The more neutral and more resolving it is, the more you can enjoy complex music.
Using a latest DAC chip wont make a dac superior, its the design which matters. Remiyo 777 is considered as one of the bast dac in the market even now.
That is an interesting statement.... especially when i have always seen adjectives like dull, dynamic, lifeless being used in lot of DAC reviews.
As I said, I listened to a whole AP setup yesterday and not just a DAC. So lack of energy in rock music cudnt be pinned to any particular instrument in the chain.
However, this did leave me wondering, what each piece in the chain contributes to? How to know what to fix? Like Soundstage, Separation of Instruments, Details, Bass, Treble etc vs DAC/Source/Amp/Speaker?
Isn't the DAC the new "source?" Hence calling the thing that comes before it merely, "transport". When I say the DAC, I mean, the analogue circuitry in the DAC.
I don't think that the media is part of the source, because it is constant. Whether it is a vinyl LP, a tape, or a digital format, it remains the same whatever system it is being played on.3. The file / track on cd
This could be moot. A digital "transport" should serve up the same bytes as another digital transport. Within my PC, I am pretty certain that, given two identical files, the same bytes will reach my sound card regardless of whether the file was originally read from a CD or from a hard disk.1. Transport (digital file player or mechanical cd reader)
Using the word "source," as I understand it in a hifi context and that of this conversation,
I don't think that the media is part of the source, because it is constant. Whether it is a vinyl LP, a tape, or a digital format, it remains the same whatever system it is being played on.
This could be moot. A digital "transport" should serve up the same bytes as another digital transport. Within my PC, I am pretty certain that, given two identical files, the same bytes will reach my sound card regardless of whether the file was originally read from a CD or from a hard disk.
With other units, perhaps the water is not so clear. Certainly it should be the same, but then, the close linking of transport and DAC within a CD player is not the same as a CD transport connected to a separate DAC.
In an ideal world, all the same bits from digital media always reach the DAC, wherever it is. Perhaps the world is not ideal: the manufacturers of expensive transports certainly don't think so --- or don't want us to!
If the quality of this is not pristine, there is no point in considering an expensive DAC. If one is always playing recordings with very low dynamic range or playing mp3s, one needs to buy a more forgiving and voiced dac than a very resolving one. This will give more perceived quality than a resolving one.The file / track on cd
Transport (digital file player or mechanical cd reader)