rohitmusic
Well-Known Member
however there are few drivers which are specifically designed for horn loaded speakers only. example include lowther, audio nirvana and fostex(FE series) (there could be others too) drivers which have their freq. response characterized by an increasing slope above mids. this particular slope results in shouty sound. horn loading is the only easier way to tame them. please see the post #8 where i have given two graphs for this comparison.
Thanks, nice to know this.
i am not sure how horn loaded speakers are suitable for live sound reproduction. as far as know they are good to bring out better bass response(i.e.more efficiency at bass freq.).
I read it on Audio Nirvana site. P.S "Bass HORN Cabinets" section.
Adding some snippet:
Bass HORN Cabinets
Is there any situation where we could recommend a bass horn cabinet? Well, actually, there is one....
Classical music is unique in that the concert hall is an integral part of the enjoyment of the sound. It is virtually impossible to make a recording which can accurately capture a classical music performance. This is because when you sit in a concert hall, you hear many different sources of sound--the music coming directly from the orchestra--the reflections off side walls, the ceiling, the back of the hall--resonances coming from the floor under the orchestra and the hall itself. And stereo imaging is not an important element in orchestral works.
In this case, the colorations of a bass horn can mimic what goes on at a classical concert. It's not accurate, of course, but if it can simulate the actual event, then isn't that what's important? So, some of the liabilities of the bass horn design CAN become assets if many factors are carefully considered (like room placement, etc.)
But there is a way to produce the same results with bass reflex cabinets and we have done so. By mounting a second speaker on the top of the speaker--pointing up--it is possible to produce the same wide, spacious, ambient sound. Coincidentally, we call it the 2.8 'Ambience'. It produces a wonderful ambient presentation--much as the bass horns do--but without many of the problems mentioned previously. Most people prefer it to bass horn designs for classical music.
if your sticking to go with horn loaded designs only then i would suggest fostex drivers. FF series are latest models and are known to outperform older FE series. they can work well in TL or normal boxes too. several free and proven designs are there.
Thanks for the info!
i think its a balancing act between 'driver design' vs 'box complexity'. better the driver simpler the box and vice versa. thats where alpair models win. all required features are engineered into the driver itself. +3 to +6 dB higher sensitivity below 1khz for average baffle width to compensate for baffle step loss. reduced +3dB in the mids and upper mids to tame the shouty response. and again +3dB higher sensitivity at high frequencies for better off-axis response. with all the basic issues taken care of within driver's natural response, there is hardly any complexity left for box design. i have put my alpairs into very simple 13 liter vented box and they sound great. they can produce as much as you would expect from 13 liter box. for extended response, putting them in bigger boxes like pencils makes sense.
finally i would suggest to go with bigger model that you could afford. min.8" to have better bass. although alpair 10s are exception as they support high Xmax which in a way compensates for their smaller cone.
These characteristics make Alpairs interesting.
